Blink 182 What My Age Again Mark Tom and Travis Show
| The Marking, Tom, and Travis Evidence (The Enema Strikes Back!) | ||||
|---|---|---|---|---|
 | ||||
| Live album past Blink-182 | ||||
| Released | November seven, 2000 | |||
| Recorded | November 4–5, 1999 | |||
| Venue |
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| Genre |
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| Length | 61:52 | |||
| Characterization | MCA | |||
| Producer | Jerry Finn | |||
| Blink-182 chronology | ||||
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| Singles from The Marking, Tom, and Travis Bear witness (The Enema Strikes Back!) | ||||
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The Mark, Tom, and Travis Show (The Enema Strikes Back!) is a live album by American rock ring Glimmer-182. Information technology was released on Nov vii, 2000 by MCA Records. Glimmer-182 had risen to fame at the plough of the millennium on the strength of its third album, Enema of the Country, which went multiplatinum. Capturing the band'south stage show—known for its irreverent humor—with a live release was designed to satisfy fans between new studio albums. The album was recorded over two nights at performances in their native California, on the grouping's inaugural arena tour.
The anthology contains energetic, high-speed renditions of the band'due south catalogue up to that indicate in their career. The set list includes singles such as "All the Modest Things", "What's My Historic period Once again?", and "Dammit". Guitarist Tom DeLonge and bassist Mark Hoppus merchandise juvenile jokes in-between songs, while drummer Travis Barker performs with virtuosity. The album's sleeve was designed by artist Glen Hanson, who received an honor for his piece of work on it. Jerry Finn, the band'south frequent collaborator, produced and mixed the album.
Marketed as a limited edition release, The Mark, Tom, and Travis Show was initially bachelor for only two months at retail. During that fourth dimension, the album sold over 500,000 copies in the US, earning a gold certification from the Recording Industry Clan of America. "Man Overboard"—a bonus studio single recorded to promote its release—reached number two on Billboard 's Modern Rock Tracks chart. The album proved influential for hereafter popular punk acts, including Man Overboard and All Time Low. In contempo years, the album has seen sporadic availability on digital platforms.
Background [edit]
Blink-182 broke into the mainstream with its 1999 anthology Enema of the Land—a fast, glossy pop-punk tape with multiple hit singles.[2] [3] The LP proved enormously successful, shifting over five one thousand thousand units domestically, and three times that number worldwide. It became a time of transition for the group, who performed worldwide in larger venues than before, including amphitheaters, arenas, and stadiums. At the kickoff of the album's promotional cycle, the trio were driving from show to show in a van with a trailer attached for merchandise and equipment;[4] past its end, they were traveling by bus coach and flying on private jets.[5] Bassist Mark Hoppus recalled that "we had gone from playing small clubs and sleeping on people'southward floors to headlining amphitheaters and staying in v-star hotels."[6] Guitarist Tom DeLonge, in a ring biography, recalled that touring arenas "was astonishing, because it was the commencement fourth dimension we'd ever done annihilation that large. I felt similar a success story."[vii] Drummer Travis Barker, in his memoir Can I Say, recalled his newfound distinction: "[The] anthology took us all over the world, for months at a time. Nosotros were playing awards shows with [pop stars] Britney Spears and Christina Aguilera when we were used to hanging with bands similar the Vandals, Unwritten Police force, and vii Seconds."[8]
Capturing the band'due south stage show with a alive album was designed to satisfy fans between new studio albums.[9] The content of The Mark, Tom and Travis Show was recorded at two concerts in California. These shows—a part of the band's first arena outing, the Loserkids Tour—took identify on November 4, 1999, at the Bill Graham Civic Auditorium in San Francisco, California, and Nov 5, 1999, at Universal Amphitheatre in Universal City, California.[10] The album was titled later on the band's 2000 worldwide tour, while the subtitle alludes to both Enema of the Country and the Star Wars picture The Empire Strikes Back. The recordings were captured by Le Mobile, a California-based mobile recording unit of measurement.[x] Le Mobile has also recorded live albums for artists such as the Offspring, Van Morrison, Kenny G, and Robin Thicke.[11]
Hoppus described the experience as daunting, particularly the Los Angeles show: "Playing shows in LA is already nerve-wracking enough because you have friends and family and agents and lawyers and label people and radio stations," he told Stone Sound in 2020.[12] The album was produced and mixed by Jerry Finn, a veteran punk rock producer that the ring previously collaborated with on Enema of the State.[13] Additional editing of the recordings took place at Signature Sound in the ring'southward hometown, San Diego; Finn mixed the anthology at Cello Studios in Hollywood, where information technology was also finalized at Bernie Grundman Mastering. The album's artwork was illustrated by artist Glen Hanson, best-known for later designing the Mattel way doll franchise Monster High. The drawing depicts the band performing for a colorful audience of characters, including a wizard, nude men, an alien, and Enema of the State cover model Janine Lindemulder. Hanson was awarded a certificate of excellence from the American Found of Graphic Arts for his piece of work on the sleeve.[fourteen] The design of the CD sleeve was headed by Tim Stedman,[10] then vice president of the art section for MCA Records.[xv]
Composition [edit]
Music [edit]
Drummer Travis Barker in 2003
The Mark, Tom, and Travis Testify features live renditions of songs from the band's first iii albums: Cheshire Cat, Dude Ranch, and Enema of the Land.[xvi] Information technology leans heavily on the contents of the latter, as the band were touring in support of it at the time. "We played the songs at lightning speed, and the dick jokes were at an best loftier. Information technology was a perfect representation of what we sounded like and who we were at that time," Barker has recalled.[17] The band'southward songs commonly focus on autobiographical lyrical subjects such every bit relationships, and adolescent themes like high school and teen angst. Greg Kot at the Chicago Tribune perceived an "undercurrent of seriousness and an attention to songcraft that might not exist instantly apparent beneath the prankster veneer."[xviii]
Guitarist Tom DeLonge's guitar riffs are down-stroked and power-chord heavy, with big amounts of palm muting,[19] while Hoppus acts as a combination between a rhythm guitarist and bassist.[20] Writer Greg Heller of Alternative Press, on the topic of Barker's office, observed that "In the slap-up tradition of Cheap Play a joke on's Live at Budokan, the [album] showcases the drummer'due south quiet fury—which is to say that when not drumming furiously, he's quiet [...] Merely when playing he'due south the loudmouth, squeezing fills into rolls with unthinkable technicality and roughshod carelessness."[21] Heller felt that Barker's percussive work on the anthology offers "something slightly more eclectic" than the typical "repetitive blitzkrieg" of double-fourth dimension punk drumming. At this point in his career, Barker listed veteran percussionists Steve Gadd,[22] Dennis Chambers, and Stewart Copeland as influences.[21] DeLonge and Hoppus, meanwhile, jokingly prioritize carelessness, remarking on the album that they "professionally suck."[23]
At the decision of the live set, the album crossfades into "Man Overboard", a new studio track. The song was originally demoed during the sessions that produced Enema of the Country, simply was left off the final anthology.[24] It lyrically references former drummer Scott Raynor,[25] likening his expulsion from the group to an exclamation made when a rider falls from a transport. The band wanted to include a new studio cover vocal equally a bonus runway, potentially from an artist like the Constabulary, Phil Collins, or Paul Simon, only it was difficult to find fourth dimension between their busy schedule.[26]
Humor [edit]
The anthology contains a handful of juvenile joke songs, including "Family Reunion", a musical retelling of comedian George Carlin's vii dirty words routine, and "Accident Job", a celebration of oral sex. Throughout the operation, DeLonge and Hoppus alternating vocally portraying Satan through a voice changer,[27] and parody their own lyrics. Almost every song concludes with long, improvised repartee betwixt the ii musicians, often starting with DeLonge shouting "Hey Mark!" and punctuated by belching. "I always hated bands that just sit at that place and play," DeLonge said to disc jockey Michael Halloran. "I think us interacting with the audience is unlike, and original, and it's fun to do."[26] The LP concludes with nearly eleven minutes of this collected barrack, in which DeLonge references the duo's off-colour tendency: "Hey, how come every fourth dimension nosotros say a joke, it has to be about fucking, sex, masturbation, incest, or anything gross similar that? [...] There's cipher else to talk about!"[28] These tracks, collectively known as "Words of Wisdom", are culled from DAT recordings of thirty shows beyond the Mark, Tom and Travis Show Tour, and were compiled by a member of band's entourage. Hoppus called information technology "the worst, most obscene, foul-language. On that bout me and Tom were actually trying to see who could outdo the other and say the nearly ridiculous affair on stage."[12] DeLonge expressed surprise at audience members' potential offense to their sense of humor, noting that the scene the group came up in included acts like Guttermouth, whose frontman Mark Adkins was known to stick a drum stick up his rear on-stage—and then their dialogue certainly felt tame in comparison.[26]
Barker, who voted confronting including the 26-track collection of crosstalk,[21] takes no function in the silliness, and communicates solely in rimshots.[29] "Probably lx percent of the time, what they're saying between songs is genuinely funny," he told Heller. "Only the other times... that'southward when I'g kick or doing something behind the drum set to say, 'Let'south go. Permit'due south play the next song.' They tried before [to get me involved]: 'Get a mic. Tell a joke.' Just that's merely not my mode. I'd but rather play a song."[21] This type of between-vocal dialogue has been compared to Paul Stanley's stage banter on the Kiss live album Alive!,[30] as well as the Slayer bootleg album Practise You Dig Older Women?.[29] Allmusic reviewer MacKenzie Wilson dismissed this humor equally "young, [but] harmless."[31] In contrast to their crude humor, the duo were fairly straight-laced backside-the-scenes, compared to many rockstars. A 2000 Rolling Stone profile by writer Gavin Edwards details the band: "They say they don't use drugs. Their tour rider mandates a supply of beer, which they routinely donate to the road crew. [...] Hoppus' and DeLonge's antics mask a mature streak that, given their fondness for fart jokes and references to i some other'south penises, in itself seems shocking."[32] All the same, the ring'southward tendency to celebrate audience members flashing their breasts drew criticism.[29] Hoppus responded to these critiques in the Rolling Stone story; "I just get super bummed-out when 13-twelvemonth-one-time girls evidence their boobs. [...] Now, we're the offset show for a lot of kids, and then I just want them to have fun and get out condom."[32]
Commercial performance [edit]
The Mark, Tom, and Travis Show was first alluded to in an August 2000 article on MTV News, which reported the band were back in the studio to record a studio track accompanying the album, "Homo Overboard".[24] The song debuted online, streaming exclusively on MTV.com, KROQ.com and the band'southward official website on September two, 2000. The vocal was after serviced to radio on September 18,[one] where it quickly rose up Billboard 's Mod Stone Tracks chart. The vocal peaked at number two on November 18, 2000, its eighth week on the nautical chart,[33] representing some other striking unmarried for the ring. The alive version of "Dumpweed" was besides issued as a promotional single to back up the album.[34]
The Mark, Tom, and Travis Show was released on compact disc and cassette worldwide on Nov 7, 2000, with a suggested listing price of $12.98 in the US.[35] It was marketed equally a limited edition release, and was only available for two months in stores. The anthology premiered with sales of betwixt 110,000–128,000 copies, according to Nielsen SoundScan,[36] [37] debuting at number eight on the Billboard 200 nautical chart in the issue dated November 25, 2000.[38] It charted highest in Canada, where it peaked at number four,[39] and in Australia, where information technology debuted on the ARIA Charts at number six.[twoscore] It was quickly certified gold in several regions; in Canada, the album was certified platinum past Music Canada for sales of over 100,000 copies;[41] overseas, in the Britain, it similarly attained 100,000 sales, resulting in a gold certification from the British Phonographic Manufacture.[42]
It was certified aureate by the Recording Industry Association of America on Jan 17, 2001, denoting shipments of over 500,000 copies.[43]
Disquisitional reception [edit]
The Mark, Tom and Travis Bear witness received mixed reviews from critics at the fourth dimension of its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 56, based on eight reviews, indicating a "mixed or average" response.[44] Wilson of Allmusic dubbed the anthology "a real stone bear witness [and] high-speed free energy at it's [sic] finest [...] in the midst of teen pop mediocrity and post-grunge rollickers, information technology'south adept to run into a band such as glimmer-182 enjoying its time on top of the world."[31] Alex Pappademas of Spin was appreciative of Hoppus and DeLonge'south "smirky, self-deprecating i-liners [that] can't conceal the music's winning blahs."[45] Rob Sheffield of Rolling Rock opined that "DeLonge is one terrific petty guitar player, the comic chitchat interludes are a sweet bonus for fans, and Blink-182 steal enough moronic hooks to brand The Enema Strikes Back! a hoot."[46]
Mike Pace of PopMatters wrote that "the recording sounds bright and full, and while the suits at MCA surely had something to do with that product-wise, ane tin't fault Tom Delonge for coming into his own as a guitar actor, and probably getting more mileage out of the C,One thousand,A,F and G,C,D chord progressions than whatsoever band thus far."[47] A reviewer for Melody Maker observed that the album "obeys the First Three Laws of Rock: have a good time; maintain the generation gap; keep it simple."[48] The more negative reviews came from NME, with writer Siobhan Grogan deriding the album every bit "the tragic sound of 3 men so desperately trying to avoid growing up."[49] Tom Sinclair, reviewing for Amusement Weekly, plant the collection to be "wholly unwarranted," criticizing the "laughably obvious" marketing strategy of "quickly flood[ing] the market with glimmer-182 product before their fans outgrow 'em."[50] Retrospective reviews accept since become more positive. Event of Sound contributor Alex Young retrospectively reviewed the anthology in 2008, praising the band's free energy and considering it a part of that "timeless teenage tradition of offending parents and pushing the boundaries."[27]
Legacy and availability [edit]
The Marking, Tom, and Travis Prove (The Enema Strikes Dorsum!) proved influential to a generation of pop punk musicians. The New Jersey band Homo Overboard named themselves afterwards the album'southward pb single,[51] while the members of Baltimore-based popular punk outfit All Time Depression first bonded over listening to the album.[52] Still, re-releases and availability of The Mark, Tom, and Travis Testify accept proven deficient. The original CD was just in stores for two months; it was pulled in January 2001.[31] In the Usa, Universal Music Group first issued the album on vinyl in 2011 through mall concatenation Hot Topic,[53] while Canadian independent characterization SRC reissued it on high-fidelity audiophile vinyl and cassette in 2015 and 2016.[54] [55] Information technology has been infrequently available for digital download or on streaming services; in 2017, upon its latest removal, it prompted Human being Overboard guitarist Zac Eisenstein to publicly bemoan its absence. It became re-available on Spotify and Apple Music in 2019, simply merely in certain regions.[16]
Track listing [edit]
All tracks are written past Mark Hoppus and Tom DeLonge, except where noted.
| No. | Title | Pb vocals | Length |
|---|---|---|---|
| i. | "Dumpweed" | DeLonge | 2:53 |
| 2. | "Don't Leave Me" | Hoppus | 2:38 |
| 3. | "Aliens Exist" | DeLonge | 3:43 |
| 4. | "Family unit Reunion" | Hoppus | 0:51 |
| five. | "Going Abroad to Higher" | Hoppus | 3:forty |
| 6. | "What's My Age Again?" | Hoppus | iii:18 |
| 7. | "Dick Lips" (Hoppus, DeLonge, Scott Raynor; listed as "Rich Lips") | DeLonge | 3:35 |
| 8. | "Accident Job" (listed equally "Blew Chore") | DeLonge | 0:41 |
| 9. | "Untitled" (Hoppus, DeLonge, Raynor) | DeLonge | 3:07 |
| 10. | "Voyeur" (Hoppus, DeLonge, Raynor) | DeLonge | three:28 |
| 11. | "Pathetic" (Hoppus, DeLonge, Raynor) | Hoppus/DeLonge | 2:51 |
| 12. | "Adam's Song" | Hoppus | 4:35 |
| 13. | "Peggy Sue" | DeLonge | 3:47 |
| 14. | "Wendy Clear" | Hoppus | 4:09 |
| 15. | "Carousel" | DeLonge | 3:38 |
| 16. | "All the Small Things" | DeLonge | 3:35 |
| 17. | "Mutt" | DeLonge | iii:39 |
| eighteen. | "The Country Song" | DeLonge | one:00 |
| nineteen. | "Dammit" (Hoppus, DeLonge, Raynor) | Hoppus/DeLonge | 3:05 |
| 20. | "Man Overboard" (non-album track) | Hoppus/DeLonge | 2:46 |
| Total length: | 61:52 | ||
| No. | Championship | Length |
|---|---|---|
| 21. | "Start My Own Nudist Colony" | 0:23 |
| 22. | "Fuck Everybody Else" | 0:38 |
| 23. | "Say Some Dirty Words" | 0:34 |
| 24. | "I Like Your Hair" | 0:09 |
| 25. | "For All the Ladies..." | 0:21 |
| 26. | "Golf Tournament" | 0:35 |
| 27. | "A Annotation from Your Mom" | 0:16 |
| 28. | "What I Learned in 5th Course" | 0:07 |
| 29. | "Fuck You Tom" | 0:18 |
| xxx. | "Smells Similar Claret and Feces" | 0:18 |
| 31. | "Safe Sexual practice" | 0:25 |
| 32. | "The Most Special Kind of Love" | 0:27 |
| 33. | "My Boner Simply Died" | 0:11 |
| 34. | "Someone Lost a Contact Lens" | 0:25 |
| 35. | "I Gotta Go Pee-Pee" | 0:33 |
| 36. | "Hurt Kid" | 0:17 |
| 37. | "I Wish I Took Guitar Lessons" | 0:xix |
| 38. | "I Know a Guy" | 0:42 |
| 39. | "Excuse Me, Security Guard" | 0:22 |
| twoscore. | "Mark's Centre Name" | 0:ten |
| 41. | "I All the same Have to Go Pee" | 0:10 |
| 42. | "You Shave Your Ass!" | 0:35 |
| 43. | "We Need a New Guitarist" | 0:17 |
| 44. | "If I Were a Daughter" | 0:05 |
| 45. | "Santa Will Rape Your Dogs" | 0:14 |
| 46. | "I'thousand Aback to Be Myself" | 0:22 |
| 47. | "Fuck Wiping!" | 0:18 |
| 48. | "vii-Up" | 0:06 |
| 49. | "Terminal Words from Satan" | 0:56 |
| 50. | "13 Miles" (Japanese and SRC Vinyl bonus track) | 2:11 |
Personnel [edit]
Charts [edit]
Certifications [edit]
References [edit]
Footnotes [edit]
- ^ a b Mancini, Robert (August 30, 2000). "Blink-182 To Debut New Track Online". MTV. Retrieved Feb 24, 2020.
- ^ "Tom DeLonge talks guitar tones, growing up and Glimmer". Total Guitar. Bath, Somerset: Time to come Publishing. October 12, 2012. ISSN 1355-5049. Archived from the original on December 12, 2012. Retrieved February 24, 2020.
- ^ Carimanica, Jon (September 16, 2011). "Non Quite Gone, A Punk Ring Is Coming Back". The New York Times . Retrieved February 24, 2020.
- ^ Barker and Edwards 2015, p. 122. sfn error: no target: CITEREFBarker_and_Edwards2015 (help)
- ^ Barker and Edwards 2015, p. 140. sfn error: no target: CITEREFBarker_and_Edwards2015 (help)
- ^ Accept Off Your Pants and Jacket (2013 Vinyl Reissue) (liner notes). Glimmer-182. US: Geffen / Universal Music Special Markets. 2013. SRC025/SRC026/SRC027/SRC028.
This reference primarily cites the Marking Hoppus foreword.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Hoppus, Anne (Oct 1, 2001). Glimmer-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. p. 98. ISBN0743422074.
- ^ Barker and Edwards 2015, p. 125. sfn mistake: no target: CITEREFBarker_and_Edwards2015 (assist)
- ^ Barker and Edwards 2015, p. 157. sfn error: no target: CITEREFBarker_and_Edwards2015 (help)
- ^ a b c The Mark, Tom, and Travis Bear witness (The Enema Strikes Back!) (liner notes). blink-182. United states: MCA. 2000. 112379.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Le Mobile Records Van the Man at Historic Shows". Pro Sound News. December 8, 2008. Archived from the original on December 11, 2008. Retrieved February 24, 2020.
- ^ a b Rogers, Jack (September 3, 2020). "Blink-182'southward Mark Hoppus On Recording The Marker, Tom, and Travis Prove: "It Was Nerve-Wracking"". Rock Sound . Retrieved September 5, 2020.
- ^ Harris, Chris (August 25, 2008). "Blink-182, AFI Producer Jerry Finn Expressionless At 39". MTV News. Retrieved Feb 24, 2020.
- ^ Rodriguez, Alexander (August 31, 2018). "The Fine art and Blitheness of Glen Hanson". QueerForty.com . Retrieved February 24, 2020.
- ^ "Executive Turntable". Billboard. Vol. 106, no. 25. Nielsen Business organisation Media, Inc. June 18, 1994. p. eleven. ISSN 0006-2510.
- ^ a b Templeton, Mackenzie (November 6, 2019). "glimmer-182 bring 'The Mark, Tom, And Travis Show' dorsum to streaming in select regions". Alternative Press . Retrieved Feb 24, 2020.
- ^ Barker and Edwards 2015, p. 378. sfn error: no target: CITEREFBarker_and_Edwards2015 (assistance)
- ^ Kot, Greg (December 7, 2001). "Blink-182 just wants to have fun". Chicago Tribune . Retrieved February 24, 2020.
- ^ Lewis, Luke (November 1, 2003). "Blink-182". Full Guitar. No. 116. pp. 44–49. ISSN 1355-5049.
- ^ D'Auria, Jon (May 30, 2019). "Mark Hoppus: What's My Historic period Once more?". Bass Magazine. Archived from the original on July 8, 2019. Retrieved February 24, 2020.
- ^ a b c d Heller, Greg (June 2001). "All the Big Things". Alternative Printing. No. 155. Culling Magazines Inc. pp. 56–64. ISSN 1065-1667.
- ^ Doerschuk, Andy (Apr 18, 2011). "Punk Drumming Grows Upwards". Drum! . Retrieved February 24, 2020.
- ^ Barker, Travis; DeLonge, Tom; Hoppus, Marking (Nov 7, 2000). Pathetic. MCA Records. Issue occurs at 2:25.
Hey [...] nosotros're professionals. Yous might not take noticed that, but we are professionals at what nosotros do. Nosotros just professionally suck, and professionally act similar a agglomeration of assholes on stage.
- ^ a b Basham, David (August 28, 2000). "Blink-182 Records New Song For Live Anthology". MTV. Retrieved Feb 24, 2020.
- ^ Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Independent Music Press. p. 80. ISBN978-one-906191-10-eight.
- ^ a b c Hoppus, Marking; DeLonge, Tom; Barker, Travis (2000). "Interview With Blink-182". Dumpweed (CD Promo) – MCAR-25268-2 (Interview). Interviewed by Michael Halloran. MCA Records.
- ^ a b Young, Alex (July 22, 2008). "Guilty Pleasure: Glimmer-182 – The Mark, Tom, And Travis Show". Consequence of Sound. Archived from the original on May 5, 2016. Retrieved January 24, 2017.
- ^ Barker, Travis; DeLonge, Tom; Hoppus, Mark (November 7, 2000). I Know a Guy. MCA Records. Event occurs at 0:51.
- ^ a b c Rotter, Jeffery (November 1999). Naughty by Nature. Spin. Retrieved Feb 24, 2020.
- ^ Sheffield, Rob (June 11, 2001). "Have Off Your Pants and Jacket". Rolling Stone . Retrieved February 24, 2020.
- ^ a b c Wilson, MacKenzie. "The Mark, Tom, and Travis Show (The Enema Strikes Dorsum!) – Blink-182". Allmusic . Retrieved Baronial sixteen, 2016.
- ^ a b Edwards, Gavins (Baronial three, 2000). "The Half Naked Truth Virtually Blink-182". Rolling Stone. Archived from the original on February iii, 2013. Retrieved February 24, 2020.
- ^ "Alternative Songs". Billboard . Retrieved February 24, 2020.
- ^ Paoletta, Michael, ed. (November 11, 2000). "Reviews & Previews: Rock Tracks: Blink-182 – "Dumpweed"". Billboard. 112 (46): 31. ISSN 0006-2510.
- ^ "The Billboard 200" (PDF). Billboard. Vol. 112, no. 48. Nielsen Business Media, Inc. November 25, 2000. p. 108. ISSN 0006-2510.
- ^ Dansby, Andrew (June 20, 2001). "Blink-182 Take Off to No. one". Rolling Stone . Retrieved Feb 24, 2020.
- ^ "Blink-182 Opens At No. i, Sugar Ray Debuts High". Billboard. June 21, 2001. Archived from the original on July ii, 2013. Retrieved February 24, 2020.
- ^ a b "Blink-182 Nautical chart History (Canadian Albums)". Billboard. Retrieved Baronial 16, 2016.
- ^ a b "Blink-182 Nautical chart History (Billboard 200)". Billboard. Retrieved August 16, 2016.
- ^ a b "Australiancharts.com – Blink-182 – The Mark, Tom and Travis Bear witness". Hung Medien. Retrieved August xvi, 2016.
- ^ a b "Canadian album certifications – Blink 182 – The Mark, Tom, and Travis Bear witness (The Enema Strikes Back!)". Music Canada.
- ^ a b "British album certifications – Blink-182 – The Mark, Tom, and Travis Testify (The Enema Strikes Back!)". British Phonographic Industry. Select albums in the Format field.Select Gold in the Certification field.Type The Mark, Tom, and Travis Show (The Enema Strikes Dorsum!) in the "Search BPI Awards" field and then press Enter.
- ^ a b "American album certifications – Blink-182 – The Marker, Tom, and Travis Evidence (The Enema Strikes Dorsum!)". Recording Industry Clan of America.
- ^ "Aqueduct Orange Reviews, Ratings, Credits, and More". Metacritic. CBS Interactive. Retrieved July eighteen, 2012.
- ^ Pappademas, Alex (Dec 1, 2000). "Reviews: Blink-182 – The Marking, Tom and Travis Show: The Enema Strikes Back! (MCA)". Spin. sixteen (12): 220. ISSN 0886-3032.
- ^ Sheffield, Rob. "Glimmer-182 – The Mark, Tom, and Travis Evidence (The Enema Strikes Back!)". Rolling Rock. Archived from the original on April 9, 2002. Retrieved August 16, 2016.
- ^ Stride, Mike. "Blink-182: The Marker, Tom, and Travis Show (The Enema Strikes Dorsum!)". PopMatters . Retrieved August xvi, 2016.
- ^ Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Return. Contained Music Press. p. 79. ISBN978-1-906191-10-viii.
- ^ Grogan, Siobhan (November 2, 2000). "NME Reviews: The Mark, Tom and Travis Testify: The Enema Strikes Back!". NME. Archived from the original on June 5, 2011. Retrieved August 16, 2016.
- ^ Sinclair, Tom (December xi, 2000). "EW Daily Music Review: Blink-182 – The Marking, Tom, and Travis Prove (The Enema Strikes Back!)". Entertainment Weekly. Archived from the original on Jan 24, 2001. Retrieved August 16, 2016.
- ^ Roth, Kaj (September 29, 2011). "Human Overboard - Man Overboard". Melodic. Archived from the original on November 18, 2016. Retrieved February 24, 2020.
- ^ Ortenzi, Rob (December 23, 2008). "AP: Features: All Time Low: Come up I, Come All". Alternative Press. Archived from the original on February x, 2009. Retrieved February 24, 2020.
- ^ Heisel, Scott (March 29, 2011). "blink-182's 'The Marking, Tom, And Travis Show' to receive vinyl handling". Alternative Press . Retrieved February 24, 2020.
- ^ Janes, Steve (March 9, 2016). "srcvinyl Reissuing Blink 182 Palatial Edition Vinyl – 'The Mark, Tom and Travis Show' Out May 24". With Guitars . Retrieved February 24, 2020.
- ^ Fitz-Gerald, Sean (November half-dozen, 2015). "Hey, Some Blink-182 Albums Are Coming Back As Cassettes". Vulture . Retrieved Feb 24, 2020.
- ^ "Austriancharts.at – Glimmer-182 – The Mark, Tom and Travis Show" (in German). Hung Medien. Retrieved Baronial 16, 2016.
- ^ "Lescharts.com – Glimmer-182 – The Mark, Tom and Travis Prove". Hung Medien. Retrieved August sixteen, 2016.
- ^ "Longplay-Chartverfolgung at Musicline" (in German language). Musicline.de. Phononet GmbH. Retrieved August sixteen, 2016.
- ^ "Oricon Top 50 Albums: {{{date}}}" (in Japanese). Oricon. Retrieved August sixteen, 2016.
- ^ "Charts.nz – Blink-182 – The Marking, Tom and Travis Bear witness". Hung Medien. Retrieved Baronial sixteen, 2016.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved August sixteen, 2016.
- ^ "ARIA Top 100 Albums for 2000". Australian Recording Industry Association. Retrieved November 12, 2021.
- ^ "Canada's Top 200 Albums of 2000". Jam!. Archived from the original on August 12, 2004. Retrieved March 24, 2022.
- ^ "The Year in Music: 2001 – Acme Billboard 200 Albums". Billboard. 113 (52): 33. December 29, 2001. ISSN 0006-2510. Retrieved March xx, 2016.
- ^ "ARIA Charts – Accreditations – 2000 Albums" (PDF). Australian Recording Industry Clan.
- ^ "New Zealand album certifications – Blink-182 – The Marking, Tom, and Travis Show (The Enema Strikes Back!)". Recorded Music NZ.
Sources [edit]
- Barker, Travis; Edwards, Gavin (2015). Tin can I Say: Living Large, Cheating Death, and Drums, Drums, Drums. William Morrow. ISBN978-0-062-31942-5.
External links [edit]
- The Marking, Tom, and Travis Show (The Enema Strikes Back!) at YouTube (streamed copy where licensed)
Source: https://en.wikipedia.org/wiki/The_Mark,_Tom,_and_Travis_Show_(The_Enema_Strikes_Back!)
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